Choose three from the following list: Hard, Soft, High Key, Low Key, High Contrast, Low Contrast, Graduated Tonality, Top, Under, Side. Label them accordingly.
Photo #1
For this group of photos, I wanted to challenge myself again. Use a single light source: My trusty Quasar LED tube. Another difficult thing was I had to take pictures of myself (no friends, you see), and -- even with a handy mobile app that allowed to view frame and make adjustments -- this proved to be a difficult task.
For this first picture, I attempted to create High Key lighting. I believe I was successful, and in the process I realized something. Normally, High-Key lighting is bright and happy, but this picture seemed a bit threatened. Contributing to this were 1) The camera well above eye line, 2) the darkness in the background, and 3) my Oscar award-winning performance, of course.
Photo #2
For this second picture, I kept everything the same, but moved the light source to a 3/4 behind me. It was also low...mainly because I had no extension cord and the Quasar cord is like 6 inches... Anyway, I'm glad that the quasar was reflecting off of the stove in the kitchen, for a beautiful eye light was formed that allowed me to see my eyes still, despite the heavy shadows. I wanted me centered in frame, staring dead just below camera, for a creepy Hitchcock-ian vibe.
Photo #3
So...this last one was lit only by my phone light. I always look at people staring, zombie-like, at their phones, with the phones light casting an eerie glow on their faces, and I think to myself, "I probably look like that too when I look at my phone." And I do. The under-lighting, in this case, creates a unhealthy and slightly spooky feel, and that feeling is enhanced by the skewed shadow being cast on the wall behind me.
-Tanner
Tanner, that third photo really hits home for me. It sums up perfectly all of the stereotypes with under lighting beautifully, and that's so cool. Your first image is really evenly exposed and you can feel the difference. It's interesting the way your 3/4 light photograph gives us some nice non-coincidence. Really beautiful work.